"Daydreaming at a Share House" is a talk event where landlords and guests freely imagine fun ways of living, thinking "it would be nice if we could do this" or "it would be nice if we had that" at Roopt, a share house that utilizes retro properties. For the first installment of the Shiogama Kaigan-dori edition, we invited Kazunari Monou, who is active in community building mainly in Sendai, and together with the event participants, we brainstormed various ideas about life at Roopt Shiogama Kaigan-dori and in Shiogama City.
Mr. Monou, who is well-versed in media and communities, offered many unique ideas, making the entire venue an exciting experience. Please read on, imagining what kind of life you could lead in the charming port town of Shiogama.
Born in Sendai City in 1982, raised in Iwaki City. Completed the doctoral program (early stage) in Spatial Design, Department of Business Design, Miyagi University Graduate School. Joined NPO Sendai Miyagi NPO Center in 2008. After serving as director of Tagajo City Citizen Activity Support Center, he resigned in 2016. In the same year, he established the General Incorporated Association Granny Rideto. Director of Rifu Town Machi Hito Shigoto Creation Station tsumiki (2016-), Director of shared complex THE6 (2016-), Part-time lecturer at Tohoku Bunka Gakuen University (2018-). Co-authored "Citizen Participation-type Town Planning Learning from Reconstruction - Intermediate Support and Networking -" (Soseisha, 2018). Also active as the leader of Tsurezure-dan, whose theme is making everyday life in Tohoku more interesting.
First, let me briefly introduce Roopt Shiogama Kaigan-dori, the setting for this "daydreaming" session.
Roopt Shiogama Kaigan-dori is a four-story share house located about 30 minutes by train or car from Sendai Station, and a 1-minute walk from Hon-Shiogama Station on the JR Senseki Line. The second floor has a common space and rooms for vacation rentals, while the third and fourth floors have a total of five private rooms for share house residents. It's a place where you can experience Shiogama's "artistic" atmosphere, with bookshelves utilizing the steps of the stairs, a tricolor painted ceiling, and tatami mats from renovation waste embedded in the walls.
If you would like to know more about Roopt Shiogama Kaigan-dori, please refer to this share house information page.
The first half of the event's talk session proceeded with Kyoko Watanabe, CEO of Makigumi Inc. and owner of the Roopt share house, as moderator, asking questions to guest Mr. Monou.
First, we asked about co-working space information around Sendai and the communities Mr. Monou himself is involved in and operates.
Watanabe: Mr. Monou, you are strongly associated with the operation of places like THE6 (a shared office and co-working space in Sendai City). Could you tell us what led you to start such work?
Monou: When THE6 was launched, the operating company had a challenge: "We're good at construction, but not at fostering communication among residents." They reached out to me, saying, "We need someone to manage the space." I leveraged my experience managing public facilities during my NPO days and started activities to liven up the space.
Watanabe: I imagine the residents vary depending on the location, but what do you think is the fundamental significance of "sharing"?
Monou: Of course, there are economic benefits like cheaper rent, but more importantly, it's about the creation of new value that didn't exist before.
Watanabe: Could you explain that in a bit more detail?
Monou: For example, if a company wants to create a new sign and is looking for a designer. Even if they wouldn't normally connect, they can meet precisely because it's a shared office. And even if they don't know each other yet, by connecting them, new work orders, projects, and so on can emerge. I believe that's the great value of sharing.
Watanabe: So, it really comes down to the people, doesn't it?
Monou: That's right. Just having good facilities isn't very appealing; knowing "who is there" makes it easier for people to gather and provides a sense of security.
Watanabe: The same might be said for Roopt. Have you had any interesting experiences while operating these spaces, Mr. Monou?
Monou: Yes, I have. There was a resident at THE6 who loved baking cakes, and before I knew it, they had connected with the local neighborhood association and ended up setting up a stall at the town festival. Or, residents created a local map of the area around THE6 together, and through that process, relationships with nearby shops were formed.
Watanabe: It's amazing how residents proactively connect with the community!
Watanabe: Let's talk about the main topic, "Daydreaming at a Share House." You frequently visit Shiogama, so I'd like to hear about Shiogama's interesting spots from your perspective.
Monou: There are many! There's the Shiogama City Sugimura Jun Museum of Art, designated as a municipal tangible cultural property, and the Katsukazu Nagai Manga Museum, which honors Katsukazu Nagai, who served as editor-in-chief of the manga magazine "Garo." There are also sake breweries where you can sample Miyagi's famous sake, "Urakasumi."
Watanabe: Shiogama has many cultural places, doesn't it?
Monou: That's right. Actually, haiku is also famous in Shiogama, and I used to write haiku crying while being taught by the famous haiku poet Seiichiro Watanabe (from Shiogama) in a group called 'Haiku no Kai' (Haiku Association) (laughs).
Watanabe: So you received loving guidance (laughs). If you, Mr. Monou, who are so knowledgeable about Shiogama's culture, were to live at Roopt Shiogama Kaigan-dori, what kind of things would you like to do?
Monou: Utilizing its location, just a 1-minute walk from the station, we could even create a "self-appointed tourist association."
Watanabe: A self-appointed tourist association...?
Monou: For example, residents could create a "passion map" introducing their favorite local shops from their own perspective, saying things like "I love this part of this sweet." And we could make it a place open to people using Hon-Shiogama Station. By doing so, connections with locals and tourists could be formed, and it could function like a tourist information center. So, it might be interesting if creative people specializing in video, design, or writing were to move in.
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